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Humaira Asghar, known as “Dolly” to her 11.5 million TikTok fans, faces charges for allegedly setting a forest fire while shooting a TikTok video in Pakistan’s capital city Islamabad. In the 11-second clip that has since been taken down, Asghar dramatically walks down a forested hill covered in flames in slow motion with a trending pop song that mentions “setting fire” playing in the background. The caption posted with the video shot in the Margalla Hills National Park reads, “fire erupts wherever I am.” Asghar is not the only Pakistani TikToker who has been accused of setting a forest fire for views. Officials say it is an emerging trend in a country that is suffering from a record-breaking heatwave.

“Young people desperate for followers are setting fire to our forests during this hot and dry season,” tweeted Islamabad Wildlife Management Board chairperson Rina S Khan Satti. “These psychotic young people have to be caught and put behind bars immediately.” Earlier this month, a man in Abbottabad city was arrested for intentionally starting a forest fire to use as a backdrop in his video. In another recently released video, two men are seen appearing to start a forest fire then running away from it while music plays in the background.

There’s no one way to describe what Kaji, who is now 10 years old, has done across his multiple YouTube channels, cable television shows and live appearances: In one video, he is giving you a tour of the Legoland Hotel; in another, he splashes around in his pool to introduce a science video about tsunamis. But for years, what he has mostly done is play with toys: Thomas the Tank Engine, “Paw Patrol” figures, McDonald’s play kitchens. A new toy and a new video for almost every day of the week, adding up to an avalanche of content that can overwhelm your child’s brain, click after click. Kaji has been playing with toys on camera since Barack Obama was in the White House.

Here are a few of the companies that are now paying him handsomely for his services: Amazon, Walmart, Nickelodeon, Skechers. Ryan also has 10 separate YouTube channels, which together make up “Ryan’s World” [31.2M subscribers], a content behemoth whose branded merchandise took in more than $250 million last year. Even conservative estimates suggest that the Kaji family take exceeds $25 million annually.

Various YouTube summer camps have begun launching across the nation, designed to turn regular elementary and middle-school-aged children into bonfire internet sensations. Per a recent report from the Wall Street Journal, parents are spending nearly $1,000 dollars a week for their children to learn how to create branded social media-related content. Though YouTube is not affiliated with or in any communication with any summer program, such camps are on the rise, and parents with means have made them a thing.

One summer camp gaining traction is YouTube STAR Creator Studio. Located in Culver City, California, its website states that it “branches out from traditional storytelling to how to create the fun and hilarious content that kids love to watch.” The camp is designed for those in first through sixth grade, according to the website, and charges $375 dollars a week. Another prominent company is Level Up, which, according to the organization, became the first company in North America to offer YouTube classes and camps when it opened five years ago. Level Up takes an educational approach toward the platform to attract kids who “want to learn how to create an awesome YouTube channel,” and promises that the class will give students the “skills to create engaging videos.” The topics covered in Level Up’s the summer camp range from learning how to interview people, draft storyboard ideas, and source and sync audio files.

Despite the rise in programs, many parents interviewed in the Wall Street Journal dismissed the idea of being a “YouTube star,” believing it as nothing more than a hobby for their young children. [Camp director] disagrees, believing that being a YouTuber is a viable career path for the next generation.

“YouTube is now not only the preferred source of entertainment for kids, but it is also now their preferred career choice.”

Overtourism is taking a toll across the globe, with closures of popular destinations in Thailand and the Philippines, and backlash from residents in cities like Venice and Barcelona. Closer to home, places like Bali, Byron Bay and parts of Tasmania have also been feeling pressure from skyrocketing visitors.

“The problem we’ve got is that we’re all congregating on the same places at the same time of the year,” says Justin Francis, CEO of the UK-based Responsible Travel.

Mr Francis says part of the problem is that the “ethos of travel” is changing: in the social media era, it’s now more about “where you want to be seen”. “Getting the photo and getting it on Instagram or Facebook is becoming the purpose of the trip — it’s the reason for going,” he says.

Travellers have also been drawn to places from their favourite films or TV shows, in a trend known as “set jetting”.

You might guess that a surefire way to make a hit video on YouTube would be to gather a bunch of YouTube megastars, film them riffing on some of the year’s most popular YouTube themes and release it as a year-in-review spectacular. You would be wrong.

The issue that upset so many YouTube fans, it turns out, was what the Rewind video did not show. To many, it felt like evidence that YouTube the company was snubbing YouTube the community by featuring mainstream celebrities in addition to the platform’s homegrown creators, and by glossing over major moments in favor of advertiser-friendly scenes.

If YouTube had been trying to create an accurate picture of its platform’s most visible faces, it would need to include bigots, reactionaries and juvenile shock jocks. A YouTube recap that includes only displays of tolerance and pluralism is a little like a Weather Channel highlight reel featuring only footage of sunny days — it might be more pleasant to look at, but it doesn’t reflect the actual weather.

In 2018 the most-downloaded iPhone app was YouTube, reports USA Today, while Amazon’s best-selling item was their Fire TV Stick for streaming video. The No. 1 earner on YouTube this year is 7-year-old Ryan. For all those unboxing videos and playing with toys — and his own new line of toys at Walmart — he and his family will pull in a cool $22 million, according to Forbes. Ryan launched the channel in 2015 — when he was four — and now has 17.3 million followers.

Kim Kataguiri is known in Brazil for a lot of things. He’s been called a fascist. He’s been called a fake news kingpin. His organization, Movimento Brasil Livre (MBL) — the Free Brazil Movement — is like the Brazilian Breitbart. Or maybe it’s like the American tea party. Maybe it’s both. Is it a news network? Kataguiri says it isn’t. But it’s not a political party, either. He says MBL is just a bunch of young people who love free market economics and memes.

One thing is very clear: His YouTube channel, the memes, the fake news, and MBL’s army of supporters have helped Kataguiri, 22, become the youngest person ever elected to Congress in Brazil. He’s also trying to become Brazil’s equivalent of speaker of the House.

As the world panicked over whether Brazil’s far-right presidential frontrunner, Jair Bolsonaro, is more of a Trump or a Duterte, MBL pushed forward 16 of its own candidates. Six of them won on the federal level. More at the state and local levels. MBL’s YouTube channel has grown from zero to 1 million subscribers this year. MBL was on the front page of YouTube every day in the month leading up to the election. The plan is to have all of the group’s elected members start their own YouTube channels. Forty percent of MBL’s funding already comes from YouTube ads. MBL-affiliated YouTuber and newly elected state representative Arthur Mamãe Falei personally made $12,000 off his solo channel in October.

As Mamãe Falei simply puts it, “I guarantee YouTubers in Brazil are more influential than politicians.”

Kataguiri’s political awakening is a textbook example of the way algorithms beget more algorithms. During his last year of high school, his teacher started a debate about welfare programs in Brazil. So Kataguiri started googling. He discovered Ron Paul and the Brazilian libertarian YouTuber Daniel Fraga.

“Then I did a video to my teacher and my friends at school to talk about what I had found out,” Kataguiri says. “There was one problem: I posted this video on YouTube. So it was public and it went viral.”

He says people kept asking for more videos, but he didn’t know anything. So he went back to googling, and then made more videos about what he learned. His channel got bigger. He started connecting with other far-right and libertarian YouTubers. Brazil’s libertarian community started connecting on Facebook. Then, in 2013, Ron Paul visited a conference in Brazil, and suddenly the online community became a real-life one.

That’s when MBL started to form. He says the emphasis on economic theory within the libertarian movement was uninspiring. He wanted to start a group that got young people excited. By 2015, his videos were starting to draw a huge audience.

The main MBL Facebook page has about 3 million followers. Since 2014, it’s functioned more or less as the group’s main hub. But Kataguiri says that due to concerns over News Feed algorithm changes and Facebook’s banning of its pages this summer, MBL has begun to diversify. It has about 300,000 Twitter followers and about a half million on Instagram. Kataguiri says he doesn’t know anything about the American far-right Twitter clone Gab, which has recently become big in Brazil. But MBL does have a page there. The real crown jewels of MBL’s digital operation right now are YouTube and WhatsApp.

“First, we get news from somewhere,” he says. “There’s news from Folha de São Paulo, there’s news from Globo, there’s news from anywhere, but we choose the news that the public wants to read. We basically curate.”

Then, he says, they decide how to manipulate that news to fit their message.

“Nowadays, people only read the headline, and they already want to have an opinion before reading the news. Basically, what we offer them is, ‘This is the news, in two phrases — this is what we think about it.’”

And finally, the third step: “Basically something to make people laugh and have an incentive to share it with their friends,” he says.

[…]

Brazil has a history of unorthodox candidates running for office: porn stars, footballers, a guy dressed up like Batman. A TV clown has been reelected a few times. It’s not out of the realm of possibility that a YouTuber who works at a scrap metal yard and gets beat up at protests could be elected to local office in Brazil. The key difference with do Val is that he got half a million votes. That’s a fourth of his YouTube audience and an absurd number for a state election.

“The UK Parliament caused a bit of a stir this week with the news that it would play host to its first non-human witness,” reports The Verge. “A press release from one of Parliament’s select committees (groups of MPs who investigate an issue and report back to their peers) said it had invited Pepper the robot to ‘answer questions’ on the impact of AI on the labor market.” From the report:

“Pepper is part of an international research project developing the world’s first culturally aware robots aimed at assisting with care for older people,” said the release from the Education Committee. “The Committee will hear about her work [and] what role increased automation and robotics might play in the workplace and classroom of the future.” It is, of course, a stunt.

As a number of AI and robotics researchers pointed out on Twitter, Pepper the robot is incapable of giving such evidence. It can certainly deliver a speech the same way Alexa can read out the news, but it can’t formulate ideas itself. As one researcher told MIT Technology Review, “Modern robots are not intelligent and so can’t testify in any meaningful way.” Parliament knows this. In an email to The Verge, a media officer for the Education Committee confirmed that Pepper would be providing preprogrammed answers written by robotics researchers from Middlesex University, who are also testifying on the same panel. “It will be clear on the day that Pepper’s responses are not spontaneous,” said the spokesperson. “Having Pepper appear before the Committee and the chance to question the witnesses will provide an opportunity for members to explore both the potential and limitations of such technology and the capabilities of robots.”

MP Robert Halfon, the committee’s chair, told education news site TES that inviting Pepper was “not about someone bringing an electronic toy robot and doing a demonstration” but showing the “potential of robotics and artificial intelligence.” He added: “If we’ve got the march of the robots, we perhaps need the march of the robots to our select committee to give evidence.”

Using a typical reality show format, the two-hour program follows a group of so-called “G-Men”, or immigration officers, employed by the Tokyo regional office of the National Immigration Bureau as they hunt down visa overstayers and so-called “illegal aliens” (fuhotaizaisha, 不法滞在者) and squatters (fuhosenshu, 不法占有) on camera.

In one segment, the immigration officers stake out the apartment of a Vietnamese man suspected of violating the conditions of his trainee visa. He and two others are arrested and interrogated on camera before being deported 24 hours later.

In another segment, the immigration officers storm a factory and detain a group of Indians suspected of being undocumented workers — the owners of the factory never appear on camera.

A final segment investigates the problem of Chinese “squatters” who have set up a vegetable patch on public land on an isolated stretch of riverbank in Kyoto.

For now, a fan upload of the video of the entire program can be viewed on DailyMotion.

Many YouTubers are finding themselves stressed, lonely and exhausted. For years, YouTubers have believed that they are loved most by their audience when they project a chirpy, grateful image. But what happens when the mask slips? This year there has been a wave of videos by prominent YouTubers talking about their burnout, chronic fatigue and depression. “This is all I ever wanted,” said Elle Mills, a 20-year-old Filipino-Canadian YouTuber in a (monetised) video entitled Burnt Out At 19, posted in May. “And why the fuck am I so unfucking unhappy? It doesn’t make any sense. You know what I mean? Because, like, this is literally my fucking dream. And I’m fucking so un-fucking-happy.”

… The anxieties are tied up with the relentless nature of their work. Tyler Blevins, AKA Ninja, makes an estimated $500,000 every month via live broadcasts of him playing the video game Fortnite on Twitch, a service for livestreaming video games that is owned by Amazon. Most of Blevins’ revenue comes from Twitch subscribers or viewers who provide one-off donations (often in the hope that he will thank them by name “on air”). Blevins recently took to Twitter to complain that he didn’t feel he could stop streaming. “Wanna know the struggles of streaming over other jobs?” he wrote, perhaps ill-advisedly for someone with such a stratospheric income. “I left for less than 48 hours and lost 40,000 subscribers on Twitch. I’ll be back today… grinding again.” There was little sympathy on Twitter for the millionaire. But the pressure he described is felt at every level of success, from the titans of the content landscape all the way down to the people with channels with just a few thousand subscribers, all of whom feel they must be constantly creating, always available and responding to their fans.

At the end of the month he was pale, gaunt and tired in a way that, he recalls, seemed “impervious to rest”. His work, he noticed, had become increasingly rushed and harsh in tone. Yet the angry, provocative quality of his videos seemed only to be making them more popular. “Divisive content is the king of online media today, and YouTube heavily boosts anything that riles people up,” he says. “It’s one of the most toxic things: the point at which you’re breaking down is the point at which the algorithm loves you the most.”

“Constant releases build audience loyalty,” says Austin Hourigan, who runs ShoddyCast, a YouTube channel with 1.2 million subscribers. “The more loyalty you build, the more likely your viewers are to come back, which gives you the closest thing to a financial safety net in what is otherwise a capricious space.” When a YouTuber passes the 1 million subscribers mark, they are presented with a gold plaque to mark the event. Many of these plaques can be seen on shelves and walls in the background of presenters’ rooms. In this way, the size of viewership and quantity of uploads become the main markers of value.

Alarmed by the proliferation of false content online, state lawmakers [in the United States] are pushing schools to put more emphasis on teaching students how to tell fact from fiction.

Lawmakers in several states have introduced or passed bills calling on public school systems to do more to teach media literacy skills that they say are critical to democracy. The effort has been bipartisan but has received little attention despite successful legislation in Washington state, Connecticut, Rhode Island and New Mexico.

Advocates say the K-12 curriculum has not kept pace with rapid changes in technology. Studies show many children spend hours every day online but struggle to comprehend the content that comes at them.

For years, they have pushed schools to incorporate media literacy — including the ability to evaluate and analyze sources of information — into lesson plans in civics, language arts, science and other subjects.

At the Stanford shopping center in Palo Alto, California, there is a new sheriff in town – and it’s an egg-shaped robot.

“Everyone likes to take robot selfies,” Stephens said. “People really like to interact with the robot.” He said there have even been two instances where the company found lipstick marks on the robot where people had kissed the graffiti-resistant dome.

The slightly comical Dalek design was intentional…”

Emphasis added.

“Jason Bourne takes off his jacket, punches a man unconscious, looks forlornly off camera, and then a title card appears. The ad — five seconds of action — is a teaser for the full Jason Bourne trailer (video), which immediately follows the teaser. In fact, the micro-teaser and trailer are actually part of the same video, the former being an intro for the latter. The trend is the latest example of metahype, a marketing technique in which brands promote their advertisements as if they’re cultural events unto themselves.”

[…]

“Last year, the studio advertised the teaser for Ant-Man with a ten-second cut of the footage reduced to an imperceptive scale. […] But where previous metahype promoted key dates in a marketing campaign—like official trailer releases and fan celebrations—the burgeoning trend of teasers within trailers exist purely to retain the viewer’s attention in that exact moment. The teaser within the trailer speaks to a moment in which we have so many distractions and choices that marketers must sell us on giving a trailer three minutes of our time. This practice isn’t limited to movie trailers, though. Next time you’re on Facebook, pay attention to how the popular videos in your newsfeed are edited. Is the most interesting image the first thing you see? And does that trick get you to stop scrolling and watch?”